Sthayi Bhavavista Citta
Rupanuga Bhajana Darpana Song 22
sthāyī bhābābiṣṭa citta pāiyā
bibhāba-bitta udbhaṭa bhābete āpanāra
prāṇa-bṛtte nyasa kore prāṇa sei
nyāsa-bhore deha prati bikṛti cālāya
dhumyita (smoldering),
baibarṇya romañca sweda stambha
kampa swara-bheda pralayāśru e aṣṭa
bikāra sañcārī je bhābacoya harṣāmārṣa
āra bhoya biṣāda bismoyādi tāra
ujjvalita (ignited),
prabṛtti kāraṇa hoya līlā-kāle
rase loya āpane koraya anukhaṇa
dhūmayitā ujjwalitā dīptā āra
su-uddīptā ei cāri abasthālakhaṇa
dipta (burning), and
jāra jei adhikāra sāttwika bikāra
tāra se lakhaṇe hoya to' udoya
mahā-bhāba daśā jathā su-uddīptā
bhāba tathā anāyāse su-lakhitā hoya
Whoever has the adhikara or the capacity of qualification for these ecstasies experiences the awakening of the symptoms of the eight sattvika-vikaras. However, only in the mahabhava stage (as in Srimati Radharani ) is it possible to observe the ornament of the uddipta blazing ecstasy.
Translation
dhumyita (smoldering),
ujjvalita (ignited),
dipta (burning), and
Whoever has the adhikara or the capacity of qualification for these ecstasies experiences the awakening of the symptoms of the eight sattvika-vikaras. However, only in the mahabhava stage (as in Srimati Radharani ) is it possible to observe the ornament of the uddipta blazing ecstasy.